Piece of art by Mattias Sammekull

Mattias Sammekull

 

Matttias Sammekull (born 1972, Stockholm) – is  one of Sweden’s most intriguing contemporary figurative painters. His technical splendor is obvious, a craftsmanship gained from many years of thorough studies of the old masters.
His visual language is clearly influenced by Italian and north European renaissance painters as well as 20th century surrealism and contemporary popculture.

Sammekull’s  realm of motifs always centre around the figure, alone or in a group. His work is distinguished by an intense study and deep examination of the human psyche and our universal and fundamental emotions.
Tranquility, the sense of a frozen moment in time, is an ever present ingredient in his body of work, as is an electrical charge leaving few unaffected.
His figures emerges from both the subconscious and his imagination, yet still they have roots in the artist’s  memories, emotions and dreams.

The others, as Sammekull calls his distorted figures, are recognized by their weak shoulders and big clumsy hands. They exist in an alternative reality,  a secret and inaccessible world not that different from ours. But still they manage, with their intense gazes and seductive presence, to bridge the distance between the painter’s inner hidden world and the spectator.

 

 

Åke Andersson

  • Åke Andersson, "Mainstream"

Åke Andersson

In Åke Anderssons paintings we often meet lonely people with no contact with each other. As if they closes and don’t take responsibility of their actions.  There is a silence and some sort of melancholy in his paintings, quiet people and quiet towns. Landscapes that look a bit too perfect to be true. We don’t know if it’s a dystopia or a reel future he describes. It’s a fascinating form of painting, somewhere between photorealism and surrealism. Åke Andersson want’s to capture a dimension which can’t be described in words. Often his paintings express alienation and isolation, but at the same time his beautiful landscapes can be seen as a celebration to nature. It is a time demanding form of painting and for that reason his production is small. His knowledge and ability to master painting partly comes from many years of studying the great masters, especially Rembrandt. Which is obvious in the still lifes were you almost feel that you can smell the fruit.

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