Barry Cawston

BARRY CAWSTON

21 NOV - 1 FEB

Barry Cawston har fått många utmärkelser, inklusive presidentens pris vid Royal West of England (RWA) Open Photography Exhibition. Cawstons arbete visar att fotografi i händerna på en talangkonstnär kan vara ett kraftfullt uttrycksfullt medium som kan skapa konst av stor skönhet och omvandla det vanliga till det oväntade. Cawstons bilder, oavsett om de är landskap eller stadsbild, interiör eller figurativ, visar en fascination för form, mönster, färg och textur och, i kombination med metafor och association, den poesi som dessa egenskaper ofta kan antyda. Sammantaget verkar hans arbete uttrycka ett nästan visceralt svar på den visuella världen.

Galleri Final finns nu endast på nätet,
och har inga fysiska öppettider.
Vi planerar att ha 5 – 6 utställningar per år som man kan se från gatan.

Har du några frågor om konstnären, boka in ett ett fysiskt möte eller önskar köpa ett verk så kontakta oss gärna på info@gallerifinal.se

Karin Holmström

Karin Holmströms målningar speglar djurens styrka och sårbarhet samt en frihetslängtan tillbaka
till oss själva. Hennes ledord, Fearless och Tillit, påminner oss om att vi är så mycket mer
än vad vi säger till oss själva, ett budskap som genomsyrar både hennes konst och livsfilosofi.
Hon kallar sig för en “Livsutforskare i färg”. Som student reste Karin till Sydafrika, där
mötet med de vilda djuren, särskilt elefanterna, väckte en djup, ordlös insikt och en känsla av
samhörighet som präglar hennes konst. Nu har hon haft möjlighet att återvända och reste 2023 själv på en konstsafari med en vildmarksfotograf. Karin har gjort en livsförändringsresa från att ha läst på Handels och jobbat inom ett stort
företag, till att kliva in helt i konsten. Hon förlorade sin pappa i cancer 2009 vilket blev katalystorn på förändringsresan .
Efter ett otroligt 2015 med konst på TV och stora arenor valde hon 2016 att säga upp sig för att satsa helhjärtat på konsten, något hon aldrig ångrat! Karin har ställt ut och sålt sin konst inte bara på separatutställningar och konstmässor i Sverige utan även i London, Amsterdam, Paris, Milano, Bryssel och Hong Kong. Hon är också mentor till konstnärer och håller skapandeklasser online, hon är en uppskattad föreläsare, medverkat i olika podcasts om kreativitet och modet att våga satsa på sin längtan.
2020 gav hon ut sin första konstbok “Fearless- konsten att leva kreativt“.

 

Född: 1978, Södertälje
Verksam: Rönninge, Södra Stockholm
Utbildning: 2002 Civilekonom Handels, Luleå
2002-2015 Ekonom och HR på H&M
2002-2014 Kvällskurser oljemåleri, läst färglära,
enstaka kurser
2016 – Heltidsarbetande som konstnär

Sofia Fredriksson

Sofia Fredriksson
Född 1988 i Uppsala, verksam på Österlen
Sofia målar figurativt i olja och är autodidakt inom måleri. Hennes måleri
utmärks av en stillhet och enkelhet som förstärks genom stämningsskapande
ljus och en dämpad palett. Motiven omfattar porträtt, interiörer och landskap,
och skildrar ofta hennes nära omgivning.
” I mitt måleri är stämningar och ljus en central del. Jag försöker fånga en
förnimbar tystnad, en stillhet, eftermiddagsljus och skuggor. En stämning
som passerar obemärkt förbi, eller kanske endast stundtals begrundas i
vardagens jäkt. Frihet, hopp och drömmar möter längtan, saknad och sorg.
I mitt skapande blir stämningen lika viktig som det ögat ser.
Likt att efter en lång dag luta sig tillbaka i en bekväm fåtölj, blunda och
lyssna till ljuva toner, hoppas jag att mitt måleri kan vara som vallmo för
själen och ge ro till sinnet. ”

UTBILDNING

Autodidakt
Examen i kinesiska från Uppsala universitet
Examen i konsthistoria
Svenska Akademin för realistisk konst

Bo Markenholm

Bo Markenholm is a Swedish artist, born 1964, based in Tommarp (in southern Sweden). His paintings in oil and acrylic are characterized by seemingly simple compositions, executed in a clear realistic style, where the interaction between light and shadow is in focus. The subjects are often still life with fruit motifs, but also fragments of the cityscape or nature. His aim is to “create life on a canvas, projecting the atmosphere and finding an expression for it. My own”. He grew up in a family interested in the arts, encouraging his diligent drawing. In his teens he began painting in oil, inspired by the Impressionists and abstract expressionism. He was also fascinated by photo-realism and technically driven artists. After a B.A. in Art History at the University of Lund and various artistic courses he eventually came to work as an illustrator and portrait artist, using pencils and airbrush. After some years, and over a thousand portraits, he decided in the early 2000s to devote himself entirely to his art – and that it was realism that would be his way of expression. Since then he has had several exhibitions, solo or in group – most in Sweden but also in France, Denmark and USA.

Marina Stenby

There’s something irresistably touching in a child’s genuine amazement and total vulnerability before the world. We recognise it because we all have it within us from the beginning. During the life long process of socialising our true inner world is being pushed ever farther and deeper inside, away from other’s glances. The pain and the disappointment that are associated with it stay with us all life long and make us unsure. It’s only after we’ve come across vulnerability among others, most often among children that we get to meet ourselves and for a short moment, we find salvation.
Marina Stenby’s artistry produces this timely meeting with ourselves. Her cardboard cut-out dolls and animals, her acrylic portraits that look like illustrations in children’s books and her subtle watercolours, all of them possess this genuine, fearless, open, vulnerable and honest look that we’ve once lost. This look shines through the strictly sterilised, polished and almost design look alike form that Stenby has perfected.
With her painting Stenby takes her own place in the long tradition of sheer form that is derived from the mannerism of late Renaissance and continues through Modigliani onto today’s stars such as Francesco Clelmente. Within sculpture Stenby’s technique of cut-out dolls that comprises a complicated and time consuming process with several layers of wet paper and gypsum, has led her to a form that could easily be mistaken for a glossy design object unless it didn’t have the disarming look that exposes the essence in itself in Stenby’s whole artistry.

 

Rasmus Hirthe

Rasmus Hirthe
Looking at the work of Rasmus Hirthe requires no instruction, but this guide to a more indepth
look should guide the eye and sensitize.
In terms of form, color and theme, Rasmus Hirthe has consistently followed his path: In the
non-colors black and white, he depicts people in recreational situations in an objective manner.
Through this stringency, he has created a unique selling point, a high recognition, which measures
his artistic quality. A serious artist should urgently develop his own handwriting instead of
becoming infected with every stylistic cold and changing between different ways of painting.
If we look at the color, it initially seems limited to non-colors. Black and white painting in
proverbial use suggests sharp separations and demands unambiguity. However, the painter
succeeds in suggesting color by transmitting very bright light into sharp contrasts. A color sound
is created by the thick application of the layers of material on the coarsely woven ground, the
light shines through and thus gives the picture luminosity. The color created by this mysterious
oscillation is perceived by the observer subjectively – everyone discovers his own individual
color. When I asked the painter about his concentrated palette at the beginning of our joint work,
he reacted quite surprised: ‘For me, my pictures are colorful’.
Rasmus can make black shine, create a shimmering color through non-color, and enthrall the
viewer with his irrepressible pleasure in painting. Viola Stohwasser-Gerdsen MA
Rasmus Hirthe was born in 1971 in Hamburg.
From 1996 to 2004 he studied Fine Art and Visual Communication (focus on film) at the University
of Fine Arts Hamburg and received his diploma there in 2004.
Rasmus Hirthe

James Sparshatt

 

James Sparshatt

 

James Sparshatt is a British photographic artist. He was a winner of the 2008 International Exhibition at the Center for Fine Art Photography in Colorado, USA, was shortlisted for the 2009 Sony World Photographic Awards and was a finalist in the World Photography Gala awards in 2010. His print “Soweto Strings” was auctioned at Sotheby’s in New York in November 2011.

His work dramatically captures the vibrancy and emotional intensity of life. His images of the music and dance from the Latin world; the flamenco of Spain, tango from Argentina, salsa from the streets of Havana, are full of movement and emotion.

He has been exhibited in New York, Texas, London, Spain, Cuba and across the UK. His 2006 exhibition at the Royal National Theatre was described in the Sunday Telegraph as “a dazzling collection of black and white images…”.

A selection of images are produced as palladium platinum prints by specialist platinum printers Paul and Max Caffell of 31 Studio. 31 Studio also work with David Bailey, the estate of Henri Lartigue and Sebastião Salgado amongst many other photographic luminaries.

 

Barry Cawston

Barry Cawston
Barry Cawston is the recipient of numerous awards, including
the President’s Award at the Royal West of England (RWA)
Open Photography Exhibition. Cawston’s work demonstrates
that, in the hands of an artist of talent, photography can be a
powerfully expressive medium which is able to create art of
great beauty and transmutes the ordinary into the unexpected.
Cawston’s images, whether landscape or cityscape, interior
or figurative, display a fascination with shape, pattern, colour
and texture and, coupled with metaphor and association,
the poetry which these qualities can often suggest. Taken
as a whole, his work seems to express an almost visceral
response to the visual world.
Edited from an article by Hugh Mooney for the
RWA’s ART Magazine
Barry Cawston is born 1966 and lives and works in London.

Sven Åke Ekberg

Sven Åke Ekberg

Sven Åke Ekberg
The sculptor Sven Åke Ekberg was born in 1946 in Rörum,
Sweden. Staying true to his Österlen roots, he has lived among
the apple trees in southern Sweden for the whole of his life.
Heating everyday iron wire until it becomes malleable, he then
forms this into shapes upon which to build from both the inside
and out. Small iron clippings are melted and welded to these until
characters engaged in various kinds of activities emerge.
A lanky young fellow lifts some scrap high above his head. A girl
in a short skirt reaches all the way down to her toes so that you
can almost feel the stretch in the backs of her thighs. A man in a
long coat balances steadily on a sturdy iron nail. On another grey
nail stands, rather less certainly, a woman in high heels carrying a
handbag. A girl rides by on her bicycle, a bouquet of tulips clamped
onto her cycle rack. The activities and forms of body language are
seemingly endless and, in each case, expressed with a palpable
sense of humour. His work includes, for instance, old pitchforks
which have been transformed into candelabra. There is a richness
of detail; some elements, such as ties and flowers, have been
painted red, which, at least in my own mind, encourages me to
continue adding colour to these grey iron miniatures.
There is also considerable variation in the positioning of these
small figures. Sometimes they are placed in groups, sometimes
as solo. Some sculptures stand directly on a podium whereas
others are placed on the head of a nail. In some cases, figures
balance on the shanks of nails sticking out of the wall. Other
tiny characters hang from ceilings or are attached to walls using
transparent neon wire. Everything has been thought out with great
care according to the artist’s vision of his figures.

Oliw87

Oliw87 Chanel or Die, Bats bla bla bla...,mixed media, upplaga 25

Oliw87

24/9 – 1/11 2020

“I don´t understand anything at all”

 

 

Vi har här glädjen att presentera graffiti konstnären Oliw87 som för första gången ställer ut i Malmö.

Jag ville utforska hur förmögna individer i välmående stadskvarter kunde reagera på Street Art och min graffiti konst som de själva kunde relatera till. Det är nog därför som min serie ”Chanel or Die” väckt så stor uppmärksamhet. Jag vill också att min konst skall vara utmanande och väcka känslor, få folk att reagera och ta ställning.
För mig är också Chanel or Die, (förutom en viss spark mot konsumtionshysterin) även något form av porträtt av mig själv. Många som känner mig beskriver att jag är kontrasten själv. Å ena sidan älskar jag livets goda, kan klä mig i kostym och se allmänt Wall street ut, å andra sidan älskar jag Graffiti och allt stök vad det innebär. Det ena har aldrig uteslutit det andra för mig. Jag gillar dubbellivet, ett vanligt svenssonliv har aldrig fungerat och kommer aldrig fungera för mig. Men visst, idag lever jag ett lite lugnare liv och överfört min graffiti konst till canvasduken. Dock kan jag fortfarande le åt mina kollegors verk som har målat en vägg i de rikas bostadskvarter

Saga Wendotte, "Blue Lily", little people,fotografi fine art print

Saga Wendotte

Saga Wendotte, "Little Lion Man". photography fine art print, 45x45 cm

Saga Wendotte

Saga Wendotte, Swedish artist. Born 1989, lives and works in Stockholm. In Saga Wendotte’s
imagery there are traces of a camera’s exact registration of a reality that we all recognise,
but there is also another layer, a different reality, more difficult to grasp. Saga Wendotte
seems to want to depict the moment just after something has happened, or the moment
just before something is about to happen. The answer to what this ”something” is, is in your
imagination. When you let yourself be pulled into the images, you help to create them.
The labour behind Saga Wendotte’s images is extensive. Each work consists of several
photographs, often shot in different locations around the world. The work also includes
getting the props, making the clothes, finding the models and creating montages from a
large number of source images. To get exactly the right facial expression, she might combine
several different photographs of the same child to make the final image. The physical
proportions are often somewhat distorted; their heads and eyes are bigger than in reality.
That is one of the components that creates the feeling that the motifs are both familiar and
strangely unfamiliar at the same time.

Short movie about Saga Wendottes workprocess CLICK